My Singularly Post-Humanist Blues

It’s coming and it doesn’t like hippies.

Twenty years or so ago, I bumped into the Singularity. And somehow, it ended up sucking the joy out of my life.

I read Eric Drexler’s The Engines of Creation, Hans Moravec’s Mind Children, and I joined the Extropian’s mailing list. Suddenly the science fiction which I’d been reading, which I had accepted as a rough map of the human future, long term, and my own future, short term, became painfully obsolete. Vernor Vinge’s essay on runaway super intelligence, which so terrified Bill Joy formerly of Sun Microsystems that he began to argue against our headlong flight into the future of AI, was a turning point for me.

The Future, Joy said, might not need us. It certainly didn’t need most of the science fiction I’d been reading.

The singularity scared the crap out of me.

Heinlein’s Future History, already long in the tooth, had dissolved long ago. Asimov’s wonderfully mathematically predictable Galactic Empire, his well-behaved human sized and shaped robots, vanished. Niven’s Known Space was a construct only a shade less retrograde than EE Doc Smith’s Civilization (capital C) of the Lens of Arisia. Even David Brin’s Uplift Universe, felt suddenly flimsy, absurd.

Where was the runaway superintelligence? The bush-robots with a billion nanoscale tentacles transforming matter into fluid dreamlike possibility?

All my beloved SF was simply make believe. Fantasy, like Narnia, like the Lord of the Rings; only fantasy with delusions of possibility, embarrassing delusions at that.

Somewhere along the way, That Universe We All Dreamed Of, of spaceships and empires and alien races, became a TV show, first and foremost, in my mind.  A television show carefully rigged not to upset us. Humans, and human-like aliens, in charge. No immortality–death is meaningful! What a relief, that! Can you imagine if it wasn’t? If we were the last generation doomed to die? Wouldn’t that be HORRIBLE?

Oh, sure, even on TV, there were brushes with Godlike beings, but generally these Gods were even more childish than the human characters who confronted t hem, and like Superman’s Mister Mxyzptlk, they were outsmarted every 42 minutes. Our machines never become smarter than we are, though we occasionally create one like Data, who was our equal. But we always break the mold, after making him.

Human level AI, in these shows, is always an oddity, a side kick, comic relief, Pinnochio, a pet.

And merging with our technology? Um. No. That’s just rape, Look at the Borg. Real humans don’t merge with anything.

So in my ‘serious’ SF I stuck to the Gibsonian near future. When Gibson and Sterling foresaw the next 30 years of American politics in the essay “The Privatization of Public Space,” in the 80s, a vast perversely enjoyable literary dystopia opened up, characterized by staggering income inequality, vicious anti-heroes and moral ambiguity, ascendant information technology, and nascent, childlike – godlike AI (this AI was unaware of the runaway Vinge essay, I guess) seeping in around the edges.

Here was a place full of stories. Here was the present writ large, for Gibson told us, SF was about the present, and we all pretended we’d known that all along.

One of the things that kept my storyteller in Gibson’s shadow was Extropians. A group of science fictional types interested in a lot of typical science fictional things; immortality, life-extenstion, information technology, and the components of the singularity; artificial intelligence, human / AI hybrids, uploadable identity, nanotechnology and Nearly Infinite Everything.

You might have thought such people would have interesting things to say about the many potential shapes of the future, of societies disconnected from the scarcity that characterized so much of human history. You would be wrong, though, because to a man, and they were almost all men, these people were fundamentalist right-wing libertarians, hostile to every and all public institution that has ever existed outside the free market.

The libertarian lover of the Rule of Law, that can’t abide, well, a Legislature.

I recall only one other progressive dumb enough to subject himself to the angry libertarian boot stamping the human face forever, Charlie Stross. He mostly laid low, absorbed the interesting and tuned out the silly noise, and has created more fiction about the Singularity than any other writer to date, I’m guessing.

I’m guessing, because I’ve never been able to make myself read any.

I gave up on SF, on being a fiction writer; I did other things. I raised two kids. I played in the dot.com bubble. I wept, underemployed in its aftermath–it was almost as if the libertarians of Extropia had detected that I was being paid too much money, and shut the whole thing down. I watched peers grow rich, cash out. I swirled around these events, a kind of outsider, and a kind of insider / visionary, because to some degree, the world had become Science Fiction, and I was living it–working on the global computer network for God’s sake.

And now, my kids old enough to be tired of me, I find myself staring at the collected works of The Singularity;  new stuff by Drexler and Moravec and Kurzweil, at the fiction of Charlie Stross and others. I’m  reading it all now, as if it were, well, a job. Because I love science fiction, and I’m going to write it again. I am writing it again.

I sold four stories to Asimovs in 2013. So far.

I can do this. I am doing this. But I’m still finding my way. But I’m no longer afraid of the Singularity; I’m not sure why.

In part, because everyone I know who actually works in AI finds the short-term time frames of Kurzweil and Moravec silly. In part, because I’m learning, finally, not to take ideas so… personally. And in part because I like fantasy, science fantasy, too. This is why we have Steampunk and Retro SF and Star Trek and Star Wars and Dr. Who, still. it’s fun to think about a long term future without a Singularity. And one can do that, plausibly, by picking away at any of the many tenets of Post humanism.

I’m not going to let a bunch of angry libertarians own the future.

An Extropian once explained that the moneyless utopia of Star Trek would never exist, because in the end, carbon atoms were scarce, and he needed to build  a brain the size of jupiter. Freeloading Hippies would not be tolerated, would not be allowed to stand in the way of his Jupiter Sized Brain. So I packed up my bag of tricks and went home, twenty years ago.

Well, I’m back.

Whatever the Singularity might be, or not be, might become, it will be informed by the culture that creates it and I am part of that culture. I’m going to argue for any number of entertaining possilbities, Utopian, Dystopian, but mostly that In Between state that seems to most closely resemble Reality.

Interesting times, to be sure.

Stay tuned. What my reasoning lacks in rigor, it makes up for with perverse fun.

To infinity, and Beyond, to borrow a phrase from a cartoon toy. To make art out of crap, as Michael Swanwick told me I would do one day, at Clarion. To Boldly Go.

Yeah!

Reader remembers her own ‘God’s Penis Epiphany’

This was posted under the ‘about me’ tab on my site, but I wanted to move it  here.

Pamela Deering writes:

I want to tell you a little story about myself. I was raised with no religion at all; the only time I remember anyone mentioning God at all was on a fishing trip with my dad, when he something about God and the beauty of nature.

As an adult, I was always comfortably, uh… well, I have decided that the best way to describe my religion is “animist.” But, 25 years ago, I had a boyfriend who had gone to jail and Got Religion. He was putting a lot of pressure on me to declare myself in that way, but he had become a Southern Baptist and I was so not down for four-hour church services that involved mostly a lot of deacons posturing endlessly, and which seriously delayed lunch.

So I decided to become Epicopalian, because

a) it was somehow vaguely the religion of my mother’s side, although I was never baptized as a baby and we certainly never went to any kind of church,

b) it had much of the charm and mysteriosity of Catholicism, but they ordained women. Which I thought was only fair, and

c) I had a friend, a neighbor lady who went to a charming little hundred-odd year old Episcopalean church not far away. (a hundred-odd-year-old anything being somewhat rare in California)

Plans were made to baptize me the next time the Archbishop came through, a few weeks hence. But before I was going to be able to go through with it in good conscience, I had some Burning Questions that must be answered to my satisfaction. These included things like whether people who masturbated were damned (it’s in Corinthians, in the bible) and whether people who weren’t Christian were actually believed to go to hell. (just not cool, in my book.) But there was one question much bigger than all the others. So, when Mother Patsy (the female priest; the church had one man and one woman. Both married, but not to each other.) –when she came over to settle these questions with me, the first thing I asked her was this:

“Do you think that God is a man, with a long white beard and a penis?”

She said, “Actually, I’m more of a Holy Spirit person myself.”

Good answer! I went through with the baptism, but a few years later when the boyfriend and I broke up, I settled back into my native belief system with only a little bit of guilt.

I found out 20 years later that the neighbor lady herself was now a full-fledged, Goddess-worshipping pagan.

When I read “That Universe We Both Dreamed Of” today, I got a good chuckle out of that scene, with the same exact words I had used! It’s a wonderful story all around, and thank you very much. I am reminded of the immortal words of John Lennon, I believe it was at the end of “Let It Be,” the Beatles’ last album:

“I’d like to say thank you on behalf of the group and ourselves, and I hope we’ve passed the audition.”

 

On Being the New Dr. Who

meIn a move which stunned many in the scifi community into numbed silence, Jay O’Connell was named by the BBC as the new Doctor Who, the 12th doctor in the long-running British SF franchise which is ironically enough exactly as old as Mr. O’Connell himself.

“First of all, I want to apologize to all the fans,” said a visibly distraught Mr. O’Connell. “I’m fifty. I’m baldish. I have no acting experience per, se. I’m a fan too, and had the same reaction you did when they called me. Really? I mean? Really?

“Another guy? Another white guy? another straight white guy? An old straight white guy who isn’t even hot? Wow. I mean. Wow.”

“But when I was told, that there would be no sexy co-stars this season, and the entire series would be shot on a shoestring budget as a nod to the show’s humble beginnings it started to make sense.

In a meeting with the show’s writer’s and producers, it emerged that many were sick of the fan’s demands that the Dr consummate his relationships with his many absurdly attractive companions, finally, for god’s sake, alien or no. Also, the endless ‘Love conquers all,” trope was getting a bit shopworn.

“Then it occurred to us… who inspires less sexual feelings, less sense that love conquers all, than a balding middle-aged white man? We knew we were onto something.”

Software designed to ferret out the individual least likely to inspire fan lust located Mr. O’Connell via his facebook page, and the rest, as they say, was history.

“You couldn’t have someone like Amy Pond fall in love with me,” Mr O’Connell said. “I mean, eww. People would hate that. Not to mention the actress. So I’m to be surrounded by robot characters made out of cardboard boxes.”

“Most of the seasons will be shot in a few deserted quarries, with the climax occurring in that brewery which JJ Abrams keeps using as the guts of the enterprise. We’re going old school. There will be big paper mache rocks. Stock footage of nazis. I’ll be wearing one of Shatner’s vintage toupes. Spaceships will have seating made from office chairs with wheels on them. We’re going to have models, real models, small plastic ones, hanging from fishing line with sparklers stuck in them.

My warddrobe will consist of my own set of aging,  stained t-shirts and shorts. I’ll wear birkenstocks, and run oddly in them, in that way you have to run in birkestocks so they don’t fly off your feet.

“Birkenstocks are cool!” I might say, as I gasp for breath. I can’t run very fast. I have asthma.

In important scenes, my glasses might fly off, leaving me effectively blind. “Time out!” I’ll say. “I can’t see anything!”

I’ll engage in witty banter with my robot companions. “Good prostate morning,” I might say. “Pretty easy to get the stream going. Glad it still works after 500 years.”

In my first season, I will talk several computer based civilizations into self-destructing, I’ll defeat a matriarchy of women wearing steel brassiers, I’ll teach a hive mind the wonders of individuality, and I’ll travel back in time to create the universe, and then, travel back, and uncreate the universe. I’ll do this over and over again until I’d told by the robots to knock it off. I’m old! I’m 500! Who knows what I’ll do!

I will slaughter an entire planet of conservative republicans, and then realize, that ironically enough, this wasn’t the best way to handle this kind of thing. Remorse! I’ll travel back in time and stop the universe again. The robots will start it up and I’ll come back, wearing a different toupee, and new sandals.

“Vibram five fingers are cool!”

Don’t worry! I’m Dr. Who! I can never die!

And that’s a good thing!

 

 

 

 

 

Tricky Morally Wrong Way to Read My Stories For Free

51jAEH1rk6L._AA278_PIkin4,BottomRight,-44,22_AA300_SH20_OU01_Wanna read my story for free? Well, you could subscribe to Asimovs on the Kindle, read my issue, and then cancel the subscription before 30 days have elapsed, getting you the issue for free. If you like it, of course, you can keep the subscription–that’s an even better option. There are Kindle applications for Macs and PCs and iPads and android tablets and phones, so don’t think you’re wedded to amazon’s e-ink devices here.

 

 

The First Ten Years…

Screen Shot 2013-07-09 at 11.27.50 AMIndependently publishing an anthology of my own previously published fiction was a fascinating experience, in the true sense of that word. It wasn’t exactly fun.

I couldn’t help but notice the recurring themes,  motifs, flourishes, in my own work. John Irving has his bears. I had… romantic dysfunction. Love and lust and human longings that speak to the perpetual adolescence which lurks in so many of us.

Writing Science Fiction, you look for the intersection between humanity and culture, often that cultural element is extrapolated  technological change; this extrapolation may be rational, or it may be itself a metaphor of some human thing you find yourself trying to get to the bottom of.

And so, one finds one self revealed in a strange light.

One of the problems with writing and publishing short fiction in the modern era, as a beginner, is that the response times and publication cycles are so slow that you can work for years and years without worrying much about readers seeing more than one of your stories. You might feel free, as the rejection notes pile up, to re-use whatever you feel is best in your work, revamp and recycle the emotional cores of your stories, the psychic battery at the center of the things.

Then you start publishing things, and… oh!

So it is with Dystopian Love.

That said, those batteries hold a lot of juice. I never got tired of John Irving’s bears. I think there’s something fascinating about these stories, which are now at a remove from me; they’re far enough away from me that I can see them, and I’m happy to have written them.

All in all, the 8 stories here represent the exposed tip of an iceberg of work, a decade of fitful effort, intermittment self-discovery, wrestling with craft and voice. There’s a lot of me in these hundred pages.

While the editing / publishing process wasn’t exactly fun, it was full of meaning, which in a way, is funner than fun.

If you know what I mean.

Buy my anthology Dystopian Love at Amazon.

Buy my anthology Dystopian Love at Kobo.